INFO | TEXTS | SCHEDULE | REQUIREMENTS & EVALUATION


Texts

[Texts can be purchased at the Tech Bookstore / 118 S. Main St. / 552-6444]

Required:

Geoffrey Chaucer. Troilus & Criseyde. Michigan State University Press, 2000. ISBN: 0870135368 (other editions are fine if you already have one, but clear them with me first)

Required:

John Lydgate. Troy Book: Selections. Ed. Robert R. Edwards. Medieval Institute Publications, 1998. ISBN: 1879288990

Secondary readings (online or on Reserve):

Christopher Braswell, "Troy Book: How Lydgate Translates Chaucer into Latin." Pp. 215-237 in Translation Theory and Practice in the Middle Ages. Ed. Jeanette Beer (1997). Reserve

Carolyn Dinshaw, "Reading Like a Man: The Critics, the Narrator, Troilus, and Pandarus." Pp. 47-73 in R. A. Shoaf, ed., Troilus & Criseyde: "Subgit to alle Poesye" (1992; originally published in Chaucer's Sexual Poetics (1989). Reserve

Rober W. Hanning, "Come in Out of the Code: Interpreting the Discourse of Desire. in boccaccio's Filostrato and Chaucer's Troilus and Criseyde." Pp. 120-137 in R. A. Shoaf, ed., Troilus & Criseyde: "Subgit to alle Poesye" (1992; originally published in Chaucer's Sexual Poetics (1989). Reserve

Seth Lerer, "Writing Like the Clerk: Laureate Poets and the Aureate World." Chapter 1 in Chaucer and His Readers: Imagining the Author in Late-Medieval England (1993). Reserve

Rosemarie P. McGerr, "Meaning and Ending in a 'Paynted Proces': Resistance to Closure in Troilus and Criseyde." Pp. 179-198 in R. A. Shoaf, ed., Troilus & Criseyde: "Subgit to alle Poesye" (1992; originally published in Chaucer's Sexual Poetics (1989). Reserve

Scot McKendrick, "The Great History of Troy: A Reassessment of the Development of a Secular Theme in Late Medieval Art." Journal of the Warburg and Courtauld Institutes 54 (1991): 43-82. Reserve

Lee Patterson, "Troilus and Crisedye and the Subject of History." Chapter 2 in Chaucer and the Subject of History (1991), Reserve

Derek Pearsall, "Chaucer and Lydgate." Chapter 3 in Chaucer Traditions: Studies in Honour of Derek Brewer. Ed. Ruth Morse and Barry Windeatt (1990). Reserve

R. A. Shoaf, Troilus & Criseyde: "Subgit to alle Poesye" Essays in Criticism (1992). Reserve

McKay Sundwell, "The Destruction of Troy, Chaucer's Troilus and Criseyde, and Lydgate's Troy Book. Review of English Studies 26 (1975): 313-317. Reserve

Nicholas Watson, "Outdoing Chaucer: Lydate's Troy Book and Henrysson's Testament of Crisseid as Competitive Imitations of Troilus and Criseyde." Pp. 89-108 in Shifts and Transpositions in Medieval Narrative: A Festschrift for Dr. Elspeth Kennedy. Ed. Karen Pratt (1994). Reserve

Opening of Sir Gawain and the Green Knight (translation)

Robert Henryson, Testament of Cresseid (TEAMS text, available online)

Norton Topics Online: Geoffrey of Monmouth, from The History of the Kings of Britain, "Brutus"

Web Links

Other

Muscatine, Charles. The book of Geoffrey Chaucer: an account of the publication of Geoffrey Chaucer's works from the fifteenth century to modern times. [San Francisco]: Book Club of California, 1963. [PR1939 M8 1963 SPEC/FOLIO]

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Allegory and the 'Fourfold Method'


Beyond the literal meaning of the text, medieval methods of reading detected three levels of meaning that "could refer to any (or all) of the three aspects of Christian truth. Hence arises the idea of 'fourfold allegory.' The literal meaning is often called the 'historical,' and may express the entire content of a text, as in the works of historians. Ulterior aspects of meaning were labeled allegorical, tropological (or moral), and anagogical. Allegorical meanings…referred to the mission of the Church on earth; tropological meanings referred to the moral duties and struggles of human nature; while anagogical meanings concerned mysteries of faith, such as the afterlife or the operation of Grace, known only through revelation" (Chaucer: Sources and Backgrounds , p. 42).

Dante provides us with an example in his "Letter to Can Grande": "'When Israel went out of Egypt, the house of Jacob from a barbarous people, Judea was made his sanctuary, Israel his dominion.' Now if we look at the letter alone, what is signified to us is the departure of the sons of Israel from Egypt during the time of Moses; if at the allegory, what is signified to us is our redemption through Christ; if at the moral sense, what is signified to us is the conversion of the soul from the sorrow and misery of sin to the state of grace; if at the anagogical, what is signified to us is the departure of the sanctified soul from bondage to the corruption of this world into the freedom of eternal glory." (Chaucer: Sources and Backgrounds, p. 81).

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